One of the problems that often plagues authors is their writing productivity. It often seems like there’s not enough time in the day to get everything done. If an author is writing on the side, as opposed to a full-time job, then finding time to sit down and belt out the words can be difficult.
However, some writers are pounding out the words through a technique called sprinting. Much like the running equivalent, sprinting in the writing sense is defined as writing as many words as you can as fast as you can, for a short period of time. Usually, people who sprint set the clock at 20 to 40 minutes. Continue reading “Is Your Writing Productivity in a Slump? Try a Sprint”
Some of you may remember my post a while back about handwriting my books. It’s a habit that has served me well, and I’ve just finished my fourth book written this way: legal pads and slant-tipped sign pens. I have no way to prove quantitatively that writing this way promotes my creativity, but it would certainly seem to. Never before have I written four books in only thirteen months. But that could be a fluke, right?
When I began this handwriting journey, as soon as I had transcribed the words from the pad to the computer, I tossed the pad into the recycle bin. The text was safely embedded in Word; I didn’t need the handwritten words any more. It was my husband’s idea that I save them. For posterity, he said. Yeah, like anyone’s going to care, I thought, but I did start saving them. Then, with my last book, I got another idea. I wrote down the date I started each pad. I had always taken casual note of how long it took me to write a book, sometimes nine months, sometimes three, but I never clocked it exactly. This time, when I finished the book, I actually figured out the word count of each pad and using the dates, calculated how many words a day I was writing. Continue reading “How Fast Do You Write?”
I believe the majority of writers are creatures of habit. Many of us have a writing routine. Maybe we sit in the same corner in our favorite Starbucks, or sit staring at the person who is already there until they get uncomfortable and leave. Not that I have ever done that. Or, perhaps there is a particular ratty old sweater or broken-in pair of slippers you have to wear before the word count can begin.
For most writers, one of the key elements is sound — or the lack thereof. A large percentage of writers insists on total silence in order to create. If you are one of those writers and have a significant other, or kids, or pets, I imagine that is a huge challenge. I have an image in my head of a writer, steaming cup of hot something beside them, settling into the silence to write. Her fingers hover over the keys, a sentence of unparalleled brilliance comes into her head… and the lovely quiet is shattered by a ringing doorbell. Or a truck’s air brakes outside. Or a million other distractions. Continue reading “Do You Hear What I Hear? – Music & Writing”
Back in December, I wrote about handwriting your book before typing it on the computer. We had quite a lively discussion about it, and I was pleased to see that many authors share my love of pens and the way they feel and write. In that vein, I decided to do a little round-up of pens.
Let me note here that I did not go out and buy every pen that people mentioned in the comments of that post. Writing the article, however, and the comments that followed did provide enough momentum for me to finally restock my dwindling supply of pens. In addition to that, my husband bought several different kinds and stuffed my Christmas stocking with them, so I am now well supplied. Here are the top candidates in my limited and very biased study. Continue reading “Handwriting Your Book – Choosing a Pen”