I like a good debate. There’s nothing better than challenging assumptions over a bottle of wine. What I like most about it is that you walk away afterward and the discussion can be over. Not so on the old Interweb. Things can get crazy when people polarize around an argument. Take the argument for, or against, traditional publishing.
What does it look like?
A knight stands at a fork in the road. His armor is dented, some of it hanging by hinges. He holds a nicked and rusty sword.
Approaching the knight is a man dressed in running gear, black spandex running pants, the latest running shoes and a sweat wicking tee shirt with ‘best seller’ scrawled across the chest in permanent marker. He comes to an abrupt stop as the knight raises the sword. Continue reading “Of Knights and Knaves – by Perry Wilson”
I’ve been lucky as an author. Without ever making it onto the bestseller lists, I’ve managed to keep going as a free-lance writer since I quit my day job in 2004. Work as a journalist and ghost-writer has helped to make ends meet, but writing books for traditional publishers has been the main focus of my energy.
However, I recently began to ask myself whether it still made sense for a mid-lister like me to keep chasing traditional book deals as part of the professional mix of a free-lancer? As the indie revolution gains momentum, more and more writers are thinking of jumping ship. Last year I indie-published a humorous novel to test the water, using a pseudonym. The experience was strangely enjoyable, so with my latest serious work of fiction, a crime mystery, I’ve gone totally Kindle (and Kobo etc.). Here are a few thoughts on my experiences on my trad-to-indie switch. Continue reading “Trad. vs Indie, a Personal View by John Barlow”