In general, we often hear there are two types of writers: pantsers and plotters. Pantsers write by the “seat of their pants,” tend not to plan very much, and let the story grow organically. Plotters plan out the story more, using outlines, story boards, or summary chapters. As with all writing, there is no one correct way, no right or wrong, just whatever works for any particular writer. Continue reading “Writing with the Subconscious”
Some people write as therapy. Some people let their subconscious write. These are both cognizant choices that are made by the author as part of their craft. I’m not talking about either of those.
Have you ever written something that just popped onto the screen? Some strange character backstory – something instrumental in forming the character’s personality – and then thought, “Well, that’s weird. But it works, so I’ll leave it.” Has that ever happened to you? Continue reading “When Your Writing Knows You Better Than You Know Yourself”
This is the second part of my piece on subconscious writing. In Part One, I discussed outlining versus what some call “pantsing.” (Kat Brooks explained this to me as “writing by the seat of your pants,” which I believe explains it quite well.) But what happens after you’ve begun whatever it is you’re writing? How does subconscious writing play a part then?
I think one of the things that makes subconscious writing so difficult to explain is the whole “subconscious” part of it. So, please bear with me as I try to explain what I mean.
As I wrote my last novel, I had no clear idea what I was trying to say. I had started it with a specific image in mind. But that image must have stirred connections in my mind because I found it so filled with consequence that the image was truly just the starting point. Continue reading “Subconscious of Your Writing Part 2 by Ken La Salle”
The other day, I found myself saying “A lot of my writing is very subconscious.” This wasn’t the first time I had said that and wondered if I was unique or if other writers also find themselves writing just as much with their subconscious mind as with their conscious mind. But this time I decided to find out, which I suppose explains the piece you are reading right now.
So, what exactly do I mean when I say that my writing is subconscious? When I tell my wife, she just figures that if I’m writing – wide awake and aware of what I’m doing – I must be conscious of it, and rightly so. “Subconscious writing” makes about as much sense as “subconscious accounting”… doesn’t it? Continue reading “Subconscious of Your Writing Part 1 by Ken La Salle”