Big Al is the Capo di tutti Capi at two big-time review blogs, BigAl’s Books and Pals and The IndieView. Al came into the spotlight in a major way when Books and Pals became the scene of the notorious Greek Seaman incident. If you really need a lesson about why an author should not attempt to rebut (let alone rebuke) a reviewer, do click the link. I am sure you will find it most instructive.
While I would be willing to bet dollars to navy beans that practically every reviewer out there has experienced an author going off on them because of a bad review, this one is notable because it went viral, and was picked up by media outlets around the world. That is how I first became acquainted with Big Al and his courage under fire.
When Indies Unlimited was brand-spanking new with the one-man crew complement of yours truly, I asked Big Al if he’d be willing to answer a few questions for a series of articles I was doing on what reviewers want. I was pleasantly surprised that he was willing to take the time to work with a newbie blogger running (what was then) a nothing of a blog.
So, he’s not merely a cold-blooded killer, but also an all-around good guy. I am particularly pleased to announce that Big Al is coming aboard Indies Unlimited as a monthly contributor. How did I make that happen? I made him an offer he couldn’t refuse. Please welcome Al to the Indies Unlimited family.
[This is a golden oldie—it ran on Indies Unlimited back on October 13, 2011.]
In Part 1 of this series, we discussed what reviewers do and do not want to see from books they review. In Part 2, we covered the etiquette of the relationship between an author and a reviewer before and after a review. In this segment, we find out how reviewers feel indie authors stack up against the traditionally published authors, and where there may be room for growth and improvement.
Reviewers are certainly as diverse a group as authors. Each has his or her own style, preferences, and ethos. Add to this the fact that while these reviewers may have read some of the same titles and same authors, the overlap in the titles they read is likely small, potentially leaving each with an entirely different impression of the quality of indie writing. One could reasonably expect to see some variance of opinion on the quality of indie authors. Continue reading “What Reviewers Want (Part 3)”
[This is a golden oldie—it ran on Indies Unlimited back on October 10, 2011.]
In part 1 of this series, we discussed what reviewers want to see (and do not want to see) from authors as regards actual writing. All that stuff is what constitutes the middle of the relationship between an author and a reviewer. There is something more to the relationship on either end.
The relationship begins with the submission of your magnum opus to the reviewer. Next you wait. You keep waiting. You check their website and still don’t see anything. Over an hour has passed, and you are starting to get nervous. My advice (and it really is mine alone—all the reviewers I interviewed were too polite to bring this up), is to keep waiting. Do not call. Do not e-mail. Do not fax. Do not “check in” to see how they like it so far. Find something else to occupy your mind and your time, because it may take a while. Continue reading “What Reviewers Want (Part 2)”
[This is a golden oldie—it ran on Indies Unlimited back on October 8, 2011.]
In the movie, “What Women Want,” Mel Gibson’s character is able to read women’s minds after he suffers an electrocution event. Is there anything electrocution can’t do? It got me wondering, wouldn’t it be nice if authors knew what reviewers want?
Sadly, the cord from the hair dryer was too short to reach the tub, so I thought: why don’t I just ask them what they want? I e-mailed several book reviewers, asking if they would be willing to answer a few questions about what reviewers want to see from authors. Several of them just graded my e-mail and returned it with no stars. Nonetheless, a few very good reviewers were willing to take a chance, lift their restraining orders, and come out to play. Continue reading “What Reviewers Want (Part 1)”