Audiobooks. My first thought when I hear the term are questions like Why? Or what’s the point? The thought that “those aren’t real books” might float through my head. I feel pretty damn full of myself unless I stop to think for half a second, maybe get a bit introspective. Then I realize how much I sound like the paper sniffers. You know, the people who say an eBook isn’t a real book. They love the smell of paper and apparently the reading experience isn’t the same without it. I don’t want to be one of those people. Then I’ll admit to myself that if my commute involved driving an hour or two every day instead of the 30-foot stroll in my slippers and work pajamas from bed to office that I might see more of a need. Then I’ll remember that I’ve actually listened to audiobooks a time or two when an ex and I would take road trips. (If you’ve driven I-80 across Wyoming, you’ll understand the need for entertainment beyond the “scenery.”)
All of this is just a big buildup to make the point that, as an indie author you’re a business person. You have product and customers. Some of your potential customers like a product, in this case your books, in different formats than others. You have your book available as an eBook (possibly in different eBook formats available from multiple vendors) and paper. Is it also available as an audiobook? Should it be? Continue reading “Everybody Listen Up: Smashwords Is Entering the AudioBook Market”
ListenUp Audiobooks is excited to announce its first annual Declaration of Independents Contest! The winner of the contest will receive a full produced audiobook, from narration to mastering, and will retain all rights. The contest is open to all independent authors, with work that has not been previously published in audio. All genres of fiction and non-fiction stories are welcome. Eligible entries are original works of prose up to 70,000 words in length. .
Deadline: July 4, 2016
Entry fee: FREE
Prize: The winning title will be fully produced by ListenUp Audiobooks, including narration, editing, and mastering. The winner will receive master mp3 and WAV files of his or her finished audiobook. The winner will retain all rights.
For more information, please visit their website.
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Indies Unlimited is pleased to provide this contest/submissions information for the convenience of our readers. We do not, however, endorse this or any contest/competition. Entrants should always research a competition prior to entering.
A couple of years ago Melissa Bowersock wrote a helpful post on her experience with using ACX to create an audiobook. A couple of things have changed since then, so I thought it might be helpful to recap and walk through my most recent experiences with ACX.
One of the best changes is that ACX is now open to UK authors and producers. Until 2014, that wasn’t the case. In addition, while ACX has always sent U.S. authors and producers a batch of 25 free Audible coupon codes upon publication, they will now send a batch of 25 UK codes, as well, if requested. This is important, because the codes are country-specific. I recently submitted a couple of audiobooks to a review site in which reviewers are from both the U.S. and UK. It was nice to have codes that would work for all reviewers, regardless of location. Continue reading “Tips for Turning Your Book into an Audiobook with ACX.com”
Indie musicians and their fans might already know about SoundCloud, an online audio distribution platform that launched in 2007. You can listen to and share tracks on their website or with the free app version for mobile devices. What’s in it for indie authors, you might ask? How about a chance to reach new readers?
After I heard a Mash Stories podcast featuring a reading of a brilliant short story by former IU staffer David Antrobus, I stole — well, borrowed — the idea to share audio recordings of my flash fiction. But I don’t have high-tech sound editing skills or expensive equipment, so I came up with a way to make and post recordings on my own. Continue reading “Reaching New Readers With SoundCloud”