ListenUp Audiobooks is excited to announce its first annual Declaration of Independents Contest! The winner of the contest will receive a full produced audiobook, from narration to mastering, and will retain all rights. The contest is open to all independent authors, with work that has not been previously published in audio. All genres of fiction and non-fiction stories are welcome. Eligible entries are original works of prose up to 70,000 words in length. .
Deadline: July 4, 2016
Entry fee: FREE
Prize: The winning title will be fully produced by ListenUp Audiobooks, including narration, editing, and mastering. The winner will receive master mp3 and WAV files of his or her finished audiobook. The winner will retain all rights.
For more information, please visit their website.
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Indies Unlimited is pleased to provide this contest/submissions information for the convenience of our readers. We do not, however, endorse this or any contest/competition. Entrants should always research a competition prior to entering.
A couple of years ago Melissa Bowersock wrote a helpful post on her experience with using ACX to create an audiobook. A couple of things have changed since then, so I thought it might be helpful to recap and walk through my most recent experiences with ACX.
One of the best changes is that ACX is now open to UK authors and producers. Until 2014, that wasn’t the case. In addition, while ACX has always sent U.S. authors and producers a batch of 25 free Audible coupon codes upon publication, they will now send a batch of 25 UK codes, as well, if requested. This is important, because the codes are country-specific. I recently submitted a couple of audiobooks to a review site in which reviewers are from both the U.S. and UK. It was nice to have codes that would work for all reviewers, regardless of location. Continue reading “Tips for Turning Your Book into an Audiobook with ACX.com”
Indie musicians and their fans might already know about SoundCloud, an online audio distribution platform that launched in 2007. You can listen to and share tracks on their website or with the free app version for mobile devices. What’s in it for indie authors, you might ask? How about a chance to reach new readers?
After I heard a Mash Stories podcast featuring a reading of a brilliant short story by former IU staffer David Antrobus, I stole — well, borrowed — the idea to share audio recordings of my flash fiction. But I don’t have high-tech sound editing skills or expensive equipment, so I came up with a way to make and post recordings on my own. Continue reading “Reaching New Readers With SoundCloud”
Recently I embarked on a new challenge, converting one of my books into an audio book. ACX is an Amazon company much like CreateSpace in that it provides an easy, affordable way to produce books, in this case audio books rather than physical books. ACX acts rather like a passive agent, creating a neutral middle ground where authors and producers can meet and explore working together. It’s a fairly simple and straightforward process.
I registered information about my book Marcia Gates: Angel of Bataan back in March of last year. I uploaded the first chapter, the blurb, the cover image, my desire for a female voice and my choice for a payment arrangement. There are two ways to pay for a book producer/narrator: one is to pay them up front for their time, estimated to be roughly between $100-200 an hour; the second way is to pay no up-front fees and split the royalties with them 50/50. I chose the latter for several reasons. First, I was not comfortable parting with a large up-front outlay when I was trialing this whole idea for the first time, and it made sense to me that if the producer were to be heavily invested in the success of the book (i.e. royalties), s/he would do his/her utmost to promote it just as I would. Continue reading “The ACX Experience – From Printed Page to Audio Book”