As an editor and proofreader, I have the opportunity to read quite a few first attempts by aspiring writers. I can absolutely relate to having a story to tell, to having characters take my brain hostage until I agree to set their story down on paper. At the time, it might seem that my only choice is to comply or go crazy. That’s how compelling and/or desperate the urge can feel.
So I applaud all of you newbie writers. I applaud you for having the guts to actually do this; to fight the doubts, the fears, the second guesses, and write your story down. Many people feel they have a book in them; only a fraction of them actually start to write. Of those, only a fraction of those finishes the book. And, of those, only a fraction commit to getting the book published. If you’re still with me, you’re in a very small, very special minority. Congratulations.
However, there is one tiny little fly in the ointment. Continue reading “Newbie Writer Mistakes”
In June, we looked at the most common Points-of-View used in fiction today: First Person, Third-Person Limited, and Third-Person Omniscient. In July, we examined some pitfalls to avoid in mastering POV.
Now let’s look at two POVs that aren’t so commonly used in fiction: Continue reading “Writers’ Font: Point of View Esoterica”
Last month we looked at the most common Points-of-View used in fiction today: First Person, Third-Person Limited, and Third-Person Omniscient. Now let’s explore some pitfalls to avoid in mastering POV.
Head-Hopping. Switching the viewpoint back and forth between characters in the same scene without a, well, a “heads-up” alert to the reader, is called head-hopping. It’s something to avoid because first, it makes the reader pause in his enjoyment of your story to figure out whose “head” he’s in (whose viewpoint) and second, when a reader is pulled out of a story, even momentarily, it interrupts the flow and unnecessarily weakens the impact of the scene. Example: Continue reading “Writers’ Font: Point of View Confusion”
In last month’s Writers’ Font I said two essential elements in fiction writing are point-of-view (POV) and show vs. tell. With a level of mastery of these two elements of Craft, your writing will become more focused, clear, and exciting to read.
Let’s delve into POV first because you’ll save time and aggravation if you first decide which POV best fits the story. It can be confusing in the beginning if you’re not familiar with this part of the Craft. Just keep in mind that once you get it, it’s got. So, read on and don’t worry. Continue reading “Writers’ Font: Point of View for Beginning Fiction Writers”