Open Letter to Beta-Readers

editingDear Beta-Reader:

Okay, I’ve written my magnum opus. I’ve elicited friends, family and beta-readers to read it, and I’m waiting on pins and needles for the feedback. I’m sitting with fingers and toes crossed, holding my breath, checking e-mail every five seconds, hoping against hope that the readers will like it. Then I get the first response: “I liked it. It’s good.”

Helpful? Yeah, no. Of course I would love to have my first readers ooh and ahh over the book, but this very non-specific comment is not constructive. Nice as it is, it tells me nothing.

The purpose of beta-readers is not to stroke my writer’s ego. That job belongs to my mother. The purpose of beta-readers is to find all the shortcomings in my writing before I push the publish button. They need to take that puppy out for a rigorous shake-down cruise and find every bug, every glitch, every typo, misplaced comma, and inconsistent tense. It’s painful to get feedback with a laundry list of problems, but would I rather see that list now, in a private e-mail before publication, or see it pasted up in a lambasting Amazon review for all the world to read? Continue reading “Open Letter to Beta-Readers”

What’s on TV? YOU! Preparing for Your Television Interview

e-morningscramble-fullWe authors are always looking for new ways to get our books out in front of the public, be it guest blogging, book signings, or radio spots., Some of our cohorts (Carol and Lynne) have already given us guidelines for the radio shows. If we’re really lucky, we can score a TV spot. No, really; it’s not out of the question. Just think about those local TV shows that run on weekday mornings, the ones that love to feature the goat lady who makes her own soaps from goat milk, the fire captain who’s going to be the grand marshal of the Independence Day parade, the teenager who won a medal for saving his little sister from drowning. Those TV shows need guests, and you need to get the word out. It’s a perfect match, and a great way to practice your pitch.

Once you’ve pitched your book to the show and been slotted in (I know you can), there are a few things to keep in mind before the show. Continue reading “What’s on TV? YOU! Preparing for Your Television Interview”

A Question of Balance

balancing on a tightropeI’m deathly afraid of heights. Going out on the observation platform on the Space Needle in Seattle, I have to plaster myself to the back wall of the central structure and dig my fingernails into the wall when the wind blows. At the Grand Canyon, I have to stay at least six feet back from the low walls that line the trails; none of this blithe waltzing over to the edge and looking down for me.

So how did I end up on a tightrope?

I’ve discovered that writing is very much like walking a tightrope, placing the feet carefully on the rope itself, hefting a balance beam and making very small corrections to the left or right as necessary. But what, exactly, are we balancing? Continue reading “A Question of Balance”

Foreword, March!

shakespeareForeword, preface, prologue. We’ve all seen one or the other of these at the front of a book, and many people think they are the same thing. They’re certainly very similar, but there are definite distinctions between them. Do you know what they are?

A foreword is a short introductory statement, especially when written by someone other than the author. It’s not unusual to see the writer of the foreword lauding the author of the main work, or telling a bit about how the work came about or how it came to his/her attention. Note that the definition describes it as a short introductory statement. Usually a foreword is a few paragraphs and less than a page.

The opposite of a foreword is an afterword: a concluding section or commentary or a closing statement.

A preface, conversely, is a preliminary statement by the book’s author or editor, usually setting down its purpose and scope, expressing acknowledgement of assistance from others, etc. Very often we will see an acknowledgment page used for this purpose instead.

A prologue is described as a preliminary discourse, an introductory part of a poem, novel or play. It can be an introductory speech calling attention to the theme of a play, as Shakespeare often did. In Romeo and Juliet, the prologue is as follows: Continue reading “Foreword, March!”