The publishing industry has changed dramatically over the last forty years. I’ve seen it. My first two books were published by a traditional publisher, a New York house, in the 1980s. That was probably the last time any large publisher took a chance on an unknown. After that, they got much more conservative, much more risk-averse, and pretty much only went with a name that they knew could command sales. Many small presses sprang up into the breach of the 1990s, and then the big explosion — self-publishing — came along after the turn of the century. Now, just about anything goes, and there is a wide range of publishing options for the hopeful author.
What’s it all mean? Let’s break it down. Continue reading “Service Publishers — a la Carte for Authors”
Quite a while back, our own K.S. Brooks wrote about collaborating with the Evil Mastermind, Stephen Hise, on a book. I found the process to be really interesting, especially since the whole idea of collaboration is so completely foreign to me. For good or ill, my own process is totally internal; the only thing I might ask for help on would be physical details of the action (how a gun fires blanks, how to sail a sailboat), but nothing about the plot or the characters. I can’t even conceive of working with another person on a book; I have no idea what that would even look like. So I got to thinking about a friend of mine, David Wood, who collaborates with several other co-authors and does very well with it. Wanting to delve deeper into this mysterious process, I asked David if he would be willing to share his secrets of collaboration with us, and he graciously agreed.
MJB: David, I was going to count all your books and figure out how many are yours alone and how many are co-authored, and by whom, but I got overwhelmed by the numbers. Can you give us a quick breakdown of that? How many co-authors do you have, and how many books have you published with them? How many are your own? Continue reading “Writing with Collaborators: Interview with Author David Wood”
There comes a time in almost every writer’s life when you need or decide to republish an earlier book. It may be because the first edition was packaged according to a traditional publisher’s ideas (which may or may not have aligned with yours), or it may be because you want to update the book, correct some early-writer faux pas, or just do a general spring cleaning. Whatever the motivation, it’s your book and you can do with it what you like (with caveats). Here’s a quick overview of some things you might consider as you proceed.
Getting Your Rights Back
If your book was originally published by a traditional publisher, you must get your rights back from them before you publish independently. Continue reading “Republishing Your Old Books”
Here at Indies Unlimited, we often get questions about the knottier issues of writing. Recently, Lynne Cantwell discussed the use of italics; today we’ll talk about quotes. In my editing work, I use the Chicago Manual of Style (CMoS), and that is my source for this information on using quotes.
The main thing to remember is that quotation marks (as all punctuation) are used as visual clues to your readers. It sends a signal to your readers about the context of what they are reading, and as such, they are necessary and invaluable to convey what you, the writer, want to convey. Imagine if you did not use quotation marks (or punctuation) in your writing. Continue reading “Quote Me on This: Quotation Marks 101”