Lynne Cantwell grew up on the shores of Lake Michigan. She worked as a broadcast journalist for many years; she has written for CNN, the late lamented Mutual/NBC Radio News, and a bunch of radio and TV news outlets you have probably never heard of, including a defunct wire service called Zapnews. But she began as a fantasy writer (in the second grade), and is back at it today. She currently lives near Washington, DC. Learn more about Lynne at her blog and at her Amazon author page.
I’ve published more than twenty works of fiction over the past seven or eight years, but none of them has given me so much pause – so much stick your fingers in your ears and go LALALALA – as publishing the book I’ve been working on for at least ten years: a memoir of my relationship with my mother and my brother.
Don’t hurt me, but I find it pretty easy to dash off 50,000 words of a rough draft of a novel in a month’s time (I’ve won NaNoWriMo and Camp NaNoWriMo multiple times), polish it, and stick it up on KDP. I also don’t have a problem writing nonfiction – as long as it’s happening to someone else.
It’s hard enough to write about a place you know well. What do you do when your story takes place somewhere you’ve never been?
Let’s say you have a great idea for a novel set in Granada, Spain, but you’ve never been outside the USA. How do you make the setting realistic? More to the point, how do you keep from making the sort of gaffe that will make readers who have been there throw your book across the room?