Genre Writing is Like Playing Jazz

JAZZ BOOKS (002)You have to try a new genre in order to find out what genre writing is all about. I did that recently, and here are some thoughts that resulted.

My Story

I have been a Sci-Fi fan since I was about 10 years old. I cut my teeth on Andre Norton, Robert Heinlein, and Isaac Asimov, so the genre runs deep in my subconscious. But I have never written a Science Fiction novel.

So in the depths of the winter of 2018, when we had no snow and no sun and I was heavily submerged in Seasonal Affective Disorder, I decided to make a change. I would write some Sci-Fi. Nothing fancy. Just a fun Space Opera, with spaceships and artificial intelligence and…well, I decided to keep it simple and have no aliens. I was just starting out, after all.

A Warning from Another Art Form

But I did not sit down and start writing, because writing in a genre is easier described by talking about jazz. Now, to be fair, I must admit to a jaundiced slant on jazz. While working as a theatre technician, I have mixed sound for countless performances of all genres of music, but the travelling jazz bands stand out. You see, what normally happens is three or four professional jazz musicians get together, give themselves a name and go on tour in the hinterland, playing small nightclubs and community halls. They don’t practise a whole lot before they set out, because they’re top professionals, and they know the riffs. Jazz is all about improvising, right?

And that’s the problem. They know all the riffs, and improvisation is a process of putting a bunch of riffs together. Yes, it’s different every time, but when you’ve been through ten or twenty of these performances, you realize that the form of every song is always the same, right down to the huge crescendo at the end with everyone holding the same major eleventh chord forever. And then they quit, but the drummer can’t resist one more bash, right at the end. They run this twenty times, do “Georgia on My Mind,” and a Billie Holiday tune and think they’ve created a jazz show.

If the performers are on, it can be wonderful. If the band just got off a long bus trip and missed dinner, it can be deadly boring. Bands who have been together a long time, who are only improvising in a few places and are playing more tightly arranged charts the rest of the time hit the high points much more often. That’s the difference between good jazz bands and hacks.

Back to the Story

But I’m not talking about jazz, here. That’s just the example. When you’re creating art in any specific genre, a series of hot licks doesn’t make it a work of art; that makes a potboiler. To do better, you need all the artistic skill that ten or thirty years of experience provide. Or creative genius, of course, but let’s not rest on that laurel.

So I did not sit down and start to write my Sci-Fi epic. No, I thought it over. I thought about what kinds of characters would be in a good space opera. The bright young captain (preferably female), the jealous stickler-for-the-rules First Officer. The somehow-augmented pet. The precocious brat. The awkward artificial intelligence. The spaceship with a personality. You know them all.

But I did not start to write. I had just finished an article for Indies Unlimited called, “Where’s the Theme in Your Book?” So I jotted down some themes that meant a lot to me. But I did not start to write. I just daydreamed for a month.

And then one cold winter morning at 4 a.m., I woke up with an idea fully formed. I kid you not. The whole basic premise and conflict was right there. Trying desperately not to wake up, I mused, half-dreaming, on the possibilities for a couple of hours. Pieces began to fit together. Ideas started to sprout.

But I have woken up to ideas before. Usually in the light of day they turn out to be crap. So I did not start writing. I went back to sleep.

And when I awoke to the light of a late winter’s dawn, it was all still there. It still worked.

Then I Started Writing

I wrote 25,000 words in six days. Once I had the basic framework, all the chops I’d been learning for the last 60 years fit in like pieces of a jigsaw puzzle. And somewhere around the fifth day, I wrote a scene that had the theme in it. I didn’t start out to say anything important, but the moment I wrote it, I knew it was the theme. It wasn’t on my list. Until then, I had no idea.

Now, lest you think this is all happily-ever-after, at 35,000 words I got stuck. I had written out all the story arcs my dream had given me, and I still didn’t have even a novella.

So I Stopped Writing

Back to you, subconscious. I picked away at it. I wrote whatever came to mind. I wrote stuff I know I’m going to throw away. I even got creative and slipped in a couple of riffs of my own. But I just let it come. And while I was musing, I reminded myself of everything I’ve learned about story structure and plot development. I got sidelined into some tutorials on Sketchup and designed the cover. Then I threw it all out and used stock photos.

When I wrote IU’s article about Fat Outlining, I began to apply it to my new story. If you ever read that story, you’ll see the bones of the outline sticking through in a rather obvious way because of a cute device I devised, but only people who have read both the story and the article will notice. I hope.

It’s been five weeks now, and I’m at 45,000 words. Every time I get stuck or I can’t decide whether an idea fits, I say, “Does it help the theme?” If it doesn’t, it’s history. And then I write some more. I took to heart R J Crayton’s article about making mistakes, and went and talked to a cover artist.

Now I’m in the revise and re-edit stage, starting to look around for beta readers (anyone interested, let me know).

I wonder how it will turn out.

Author: Gordon Long

Gordon A. Long is a writer, editor, publisher, playwright, director and teacher. 
Learn more about Gordon and his writing from his blog and his Author Central page.

9 thoughts on “Genre Writing is Like Playing Jazz”

  1. So much of that sounds familiar. The early-morning inspiration. The days on end of percolating. Musing on the what-ifs. The theme that pops up, uninvited yet perfect. And finally, clinging to the freight train as it thunders by. Put it all together and you’ve got a book. Congrats, Gordon. Sounds fun.

  2. I enjoyed reading you “Genre Writing is Like Playing Jazz.” Per your request, I am letting you know that I am someone interested in being a beta reader for your first science fiction novel on which you are working. I admire you taking on a genre new to you.

    I have enjoyed some science fiction in my earlier years and recently “Ready Player One” by Ernest Cline.

    I have newly authored a novel. It is a manuscript of 115,000 words in the editing stage. I did not plan to write science fiction. However, I could best accommodate my theme in a setting from the beginning of 2083 through the beginning of 2085. So, I had to create some science fiction for that setting. I believe that my novel’s genre is best described as a “literary futuristic political fiction.” It contains extensive flashbacks to 2013 through 2069.

    If I sound like the beta reader for which you are looking or if you would like to know more about me, please let me know.

    1. Thanks, Jim. I don’t know if our website will publish an email address, but I’m gordonlong @ airbornpress.ca, which is gordonlong(at)airbornpress(dot) ca. Send me your email address and I’ll ship you an ARC.

  3. The subconscious (although I’ve been told that term originally meant something very specific that psychologists no longer put much stock in) is a wonderful thing. I’ve learned from long experience as a software developer that when I get really stuck on something, the best thing to do is push back from the computer and go get a cup of tea or something. Five or ten minutes later, when I return to the problem, more often than not I have the answer. Writing is the same way. Or, really, most any intellectual pursuit. Sometimes it takes longer than others–even a lot longer–but the process is basically the same. Thanks for a great article!

    1. Thanks, Jim. I don’t know if our website will publish an email address, but I’m gordonlong @ airbornpress.ca, which is gordonlong(at)airbornpress(dot) ca. Send me your email address and I’ll ship you an ARC.

    2. Because of a book I was editing, I’ve been looking into mental awareness and meditation techniques and their use in brainstorming. It all sounds like the same thing artists have been trying to do for centuries (ever heard of “automatic writing?”) to access their muse. No question it works at some level, though as I say, there’s no guarantee what comes out will be good. More likely to be outside the box, and it’s up to the writer to make it work.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.