Foreword, preface, prologue. We’ve all seen one or the other of these at the front of a book, and many people think they are the same thing. They’re certainly very similar, but there are definite distinctions between them. Do you know what they are?
A foreword is a short introductory statement, especially when written by someone other than the author. It’s not unusual to see the writer of the foreword lauding the author of the main work, or telling a bit about how the work came about or how it came to his/her attention. Note that the definition describes it as a short introductory statement. Usually a foreword is a few paragraphs and less than a page.
The opposite of a foreword is an afterword: a concluding section or commentary or a closing statement.
A preface, conversely, is a preliminary statement by the book’s author or editor, usually setting down its purpose and scope, expressing acknowledgement of assistance from others, etc. Very often we will see an acknowledgment page used for this purpose instead.
A prologue is described as a preliminary discourse, an introductory part of a poem, novel or play. It can be an introductory speech calling attention to the theme of a play, as Shakespeare often did. In Romeo and Juliet, the prologue is as follows: Continue reading “Foreword, March!”
The Impaler Legacy Omnibus
by Ioana Visan
Word count: 120,000 words
In a world crawling with vampires, Romania is the safest place left on earth. Thanks to the Little Council, there hasn’t been a vampire on Romanian ground in over five centuries, until one day when Liana Cantacuzino is ordered to bring one in, covertly.
Enter Maximilien Hess, a thousand-year-old vampire determined to ruin the existing order of things. When all is revealed, Hess’s secret changes everything, and a reluctant alliance is formed because the alternative is much worse.
The Impaler Legacy series is a vampire saga like no other.
This book is available at Amazon, Smashwords, and Barnes & Noble. Continue reading “Book Brief: The Impaler Legacy Omnibus”
Google Play is probably the most confusing book selling website I’ve ever encountered. Our RJ Crayton took some of the mystery out of it for us yesterday in this article. But there is so much to it that it’s impossible to cover it in one post.
The other day, I entered the information for eight books on Google Play. It seems like each time I go in, there’s something new and wondrous I discover needs to be done. This time, I noticed the “You need to add a sales territory” comment when I went to my dashboard. You will find your dashboard at https://play.google.com/books/publish/. Continue reading “Navigating Google Play”
by Quentin Bates
How do you sell a book in the digital era? It’s a fraught question and if I had a sure-fire formula for authors to sell successfully, then I’d make a lot more marketing that than writing books of my own.
I came to this down the traditional route, via an agent (a small, energetic one) and a traditional publisher – until its recent takeover, one of the last of the old-school independent publishers with a long history. In fact, I can be proud of sharing a publisher with Bram Stoker, although he probably shifted a great many more books than I ever will. Continue reading “Selling Yourself”