Greetings from the IU news desk in the prestigious but entirely fictional BlackBox Tower Complex. It’s our job to track down the news, grab it by the ankles, and hold it upside down until the truth drops out of its pockets.
It’s a dangerous job that takes our staff to far-flung corners of the internet. Our crack team of reporters wade through a digital jungle of pop-up ads and 404 errors to get to the bottom of whatever it is that got their undies in a bunch in the first place.
Remember, NewsBites is the official news snack of the junior auxiliary astronaut team, whose proud motto is: We may not have been in space, but we are willing to go. Continue reading “Newsbites: Men Don’t Read”
by Kay Camden
Fantasy, fiction, paranormal
Available from Amazon.
Liv’s cross-country move lands her in the path of Trey, a mountain recluse with more enemies than she can count. He’s heading out for revenge against the family who wronged him, and he needs her help. Her answer would be a definite no if she hadn’t fallen in love with him.
Your main character has fled from the office she shares with a close co-worker and friend, and has run to the boss’s office. There, in a key scene, she has emoted all over herself, revealing a deep, dark personal secret thereby. (Yes, she still has a job at the end of the scene.) Now she’s back in her own office. Her friend gets in her face and says, “For the love of Pete, would you please tell me what this is all about?”
Your main character is hesitant, but then mutters to herself, “What the heck. The whole world will know by tomorrow.”
Choose what happens next:
- Your main character rehashes, practically word for word, the conversation she just had with the boss.
- Your main character gives her friend a severely truncated version of the conversation with the boss – the Reader’s Digest version, if you will.
- You, as the author, sum up the conversation in a sentence similar to this one: “She told her friend the whole story.”
Got your choice? Continue reading “Lather, Rinse, Explain, Repeat: Redundancy in Writing”