After two years away from his home of Memphis, TN; wealthy book publisher, Marcus Bishop, arrives to find his beloved city a disaster. The economy is sagging, commerce failing, and buildings are being boarded up at an alarming rate.
One place in particular catches Marcus’s eye: An old castle-like structure situated in the Garden District. Once a resplendent mansion, Ashlar Hall now sits empty and destitute. Money and love alone can’t bring this building back from the brink; it will take Marcus’s soul to free the building from the ravages of time and the spirits that haunt it.
A philanthropist and lover of unique architecture, Marcus decides to buy Ashlar Hall and return it to its former glory. What he doesn’t realize is that included in the business transaction is a love-struck, jealous ghost who will stop at nothing to get Marcus into the afterlife.
The other day, I found myself saying “A lot of my writing is very subconscious.” This wasn’t the first time I had said that and wondered if I was unique or if other writers also find themselves writing just as much with their subconscious mind as with their conscious mind. But this time I decided to find out, which I suppose explains the piece you are reading right now.
So, what exactly do I mean when I say that my writing is subconscious? When I tell my wife, she just figures that if I’m writing – wide awake and aware of what I’m doing – I must be conscious of it, and rightly so. “Subconscious writing” makes about as much sense as “subconscious accounting”… doesn’t it? Continue reading “Subconscious of Your Writing Part 1 by Ken La Salle”
The Library of Congress in Washington, DC has 838 miles of bookshelves and over 30 million books. Thirty million. Actual physical paper printed with words. In the Old Library at Trinity College in Dublin, there are 200,000 books that date back hundreds of years or more. They can’t be opened because of their age and many of the authors are now long forgotten, but if you stand in the middle of the room and stare a while, it is easy to believe that every meaningful thought in history originated somewhere within those volumes. Until you read about the ancient Library of Alexandria in Egypt that was started in 200 BC, held 700,000 scrolls, and was around for six centuries.
It’s enough to make a person stop writing. I mean, have you ever gone into just a regular bookstore or city library and been overwhelmed by all of those stories? Have you thought to yourself, not only will no one person ever be able to read all those books in a lifetime, but what do I possibly have to add that hasn’t already been said? I certainly have. Continue reading “Everything Worth Saying Has Already Been Said”
All right everyone. I will take the plunge and try my hand at a tutorial. Let me tell you about Bublish and guide you through how to use it. Hey, if I can do this, anyone can. No, really, I mean it. Please do forgive the lack of artistry on the arrows. I am no artist.
Bublish has been around only since June of this year, so I had the good luck to be an early subscriber. Bublish is the brainchild of Kathy Meis and Charles Wyke-Smith. I have had extensive email contact with Kathy and she was kind enough to spend 40 minutes one-on-one with me when I hit a snag. (Thanks Kathy.) I have nothing but praise for the support I have received.
What makes Bublish unique is that it has the author take snippets of text from their book and asks them to write an insight about that snippet, then share it on Facebook and Twitter. Do this regularly and you will have tweets going out that are non-repetitive, interesting and – my favourite – not pushy buy my book spam messages. They are little hooks meant to entice a prospective reader to take a closer look at your work. Heck, they might even want to buy it. The links for buying are on the site, so that is just a click away. Continue reading “Tuesday Tutorial: Bublish”