The 2012 Wasafiri New Writing Prize is now open to anyone worldwide who has not published a complete book. They are looking for creative submissions in one of three categories: Poetry, Fiction or Life Writing.
£300 will be awarded to the winner of each category and their work will be published in Wasafiri.
Entry fee: £6.00 if entering one category, £10 for two and £15 for all three.
Indies Unlimited is pleased to provide this contest information for the convenience of our readers. We do not, however, endorse this or any contest/competition. Entrants should always research a competition prior to entering.
The Merriam-Webster online dictionary defines professionalism as: the conduct, aims or qualities that characterize or mark a profession or a professional person. So, how does this relate to an authors’ collective?
For years, self-published novels evoked to me images of poorly-written, shoddily put-together books. Unprofessional products. Something I certainly did not want for the months, or years, of slaving over a novel.
Several years ago I was fortunate to join an online writing group, and thanks to the keen editorial eyes and unfailing support of the members, my writing improved. After endless revisions, I finally had a story I believed was fit for the public eye, and happily packed it off to my agent. But she was not able to arouse the slightest interest from any of the big traditional publishing houses. So, what next? If I wanted to get my book to readers, self-publishing seemed my only viable option. But I wanted a professional-looking book, in content, design and marketing –– a task that, alone, seemed beyond my reach.
At that point, two writers from the online group in a similar situation approached me. We discussed our fears: homemade covers, poor typesetting, unprofessional presentation and inappropriate marketing. Not to mention the sense of isolation. None of us wanted this; we wanted to create books that would be indistinguishable from those professionally produced. After months of planning and discussion, sharing everything between three seemed far less formidable, and the authors’ collective, Triskele Books was born. Continue reading “Professionalism in Indie Publishing –– The Value of a Collective by Liza Perrat”
Recently, I got very down. This happens. I get depressed sometimes when we run out of milk. This time, however, I got depressed because writing began to seem futile.
Let me clarify…writing is like breathing…sharing it seemed futile. But something happened. Something that needs to happen for all of us. A lot of people bitch-slapped me verbally…some threatened actual physical harm.
I got to thinking about all that is involved in being an Indie writer. I won’t lie. Part of me yearns for the days when I had a regular paycheck and good insurance and my friend Pat liked my stories a lot. I hate promoting. But promotion has an interesting fallout effect. It works – we hope, but more importantly, it builds community.
Mark Jacobs is a freelance writer, martial arts instructor and semi-professional poker player who says he regularly plays for more money than he can afford to lose.
His written work has appeared in publications such as Sports Illustrated, Men’s Health, and TimeOut New York.
The author of the acclaimed instructional text, The Principles of Unarmed Combat, he currently serves as a contributing editor and monthly columnist for Black Belt Magazine. His other books include the detective novel, Pascal’s Wager, and the upcoming boxing saga, A Bittersweet Science. Continue reading “Meet the Author: Mark Jacobs”